Ryan's Hope - Rapist Roger Coleridge - Victim Maggie Shelby (attempted rape) Loving - Rapist Danny Roberts - Victim Ally Rescott (though Ally framed Danny for Rape, to avenge her husband killing, but later fell in love with her husband's killer!) Guiding Light - Rapist Roger Thorpe - Victim Holly Thorpe General Hospital - Rapist Luke Spencer - Victim Laura Baldwin So what does this say about rape being taken seriously on Soap Operas?Īll My Children - Rapist Ross Chandler - Victim Natalie HunterĪs The World Turns - Rapist John Dixon - Victim Kim Reynolds (Martial Rape)Īnother World - Rapist Jake McKinnon - Victim Marley Loveīold & Beautiful - Rapist Thomas Forrester - Victim Caroline Spencer IIĭays of our Lives - Rapist Jack Deveraux - Victim Kayla Brady and even a fan favorite of the female viewers! Some shows have even had two or three rapists who were later redeemed as a hero! #SOAP OPERA DASH FOR MAC MAC#There are better bands than Fleetwood Mac but there are none that mean more to me in my lifetime.Every soap opera has featured a male character who raped a female character - but then be reformed as a regular member of society. The way I did with a lot of music and memories and memorabilia and silly ephemera. It packs so much in – 21 years in 51 minutes. And yet I’ve never heard the story told better than on that dubbed VHS tape that my bro recorded late one Friday night. I’d drive over to a mate’s house who lived half an hour away just so we could listen to our tapes of Fleetwood Mac, comparing whether live or studio versions were best. I had VHS tapes of Christine McVie concerts and LPs by Mick Fleetwood and any guest appearances.Īnd then the books and other video tapes and DVDs – stories and docos and so many hits compilations. I went on to solo albums by not just Lindsey and Stevie – and their killer duo album that got them gig. And the giant stadium rock’n’pop madness of Rumours and Tusk and Mirage and Tango In The Night. Those “lost years” where the band was falling apart in some way for every album but was also as prolific as it was ever going to be. I can’t pick a favourite album or era – the blues band material is wonderful. Others bug me a little due to overplay or because they were elevated in place of some of the true album-track stars. Some of them I’m lucky enough to still hear as if for the first time. Mac that other fans never bother with or might not even know about. I’d think about how they must have cared so deeply about the music – to keep it all going.Īnd sure there are egos – and there was money and drugs and whatever else that becomes both the reason to keep going and the method of blurring anything else.Īnd I have thought about all of that ever since. The soap-opera is fascinating, that these fine musicians all fucked with each other’s feelings and fucked each other or fucked around on each other was somehow deeply compelling to me. The blanks were filled in for me – but it was still (mostly) about the music. Instead Lindsay talked about how frustrated he was with pressure and with the push and pull of various aspects that he could not control). And how defensive Stevie Nicks seemed when she’d talk about how Lindsey Buckingham would often say that he did his finest work working on some of her songs (even though Lindsey never did say it. So I’d cling to the clips and the funny, laidback things John McVie would say. #SOAP OPERA DASH FOR MAC HOW TO#It was a mystery to me how to access some of the finest music I would go on to hear. These were hard to find – even though they were by my heroes. Learning about the bit-part players – like Bobs Welch and Weston, and how sad to think of Bob Welch as any sort of bit-part only.įor years I could only hear about albums like Penguin and Bare Trees and Future Games. I’d get home from school and watch the same documentary about Fleetwood Mac over and again. #SOAP OPERA DASH FOR MAC TV#Watched it the way people binge watch any of the TV they now consume. Watched it like my own son would grow up to watch Peppa Pig and The Wiggles and then Doc McStuffins and now The Simpsons. My brother recorded the documentary Fleetwood Mac at 21 and I watched it over and again. I was already a fan, but I had no idea how the same band that sang Sara and Sweet Little Lies had jammed out an instrumental called Albatross. There was a doco – a bit of late-night music-TV – that filled in all the blanks. The soap-opera of Fleetwood Mac has had me hooked since I was about 10 or 12.
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